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Counting the Omer

Person marking tally marks on a weathered concrete wall.

The period between Passover and Shavuot marks two kinds of movement through time: the passage of the seven weeks between the barley offering and the first wheat offering at the ancient Temple during these spring festivals, and the transition from slavery to true liberation. On Passover, we leave Egypt, but on Shavuot we receive the Torah, which gives us our purpose as a people, answering the question of the ultimate goal of our collective freedom. For many people, the “counting of the Omer”—these 49 days—provides a time for reflection and growth, often using the seven “lower” emanations of God in the kabbalistic system as spiritual themes for each day and week. Another extraordinary approach offers the opportunity to meditate each day on a biblical woman whose life reflects the mystical qualities associated with that day.

Latest Rituals

Kavannot for counting the Omer through the lens of middot (Jewish ethical practices)

Person marks tally on a concrete wall with chalk, large number of tally marks visible.

Kavannot for each week to deepen the experience of counting the Omer

Stacked rocks in a desert landscape with red rock formations in the background.

Description of the first haircut in Jewish tradition

A smiling toddler with curly hair wearing a blue kippah sits in a patterned high chair.

From “An Omer Counter of Biblical Women” – for all who help the Jewish people

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From “An Omer Counter of Biblical Women” – “New hope on a day of mourning”

Abstract painting with red, brown, and yellow horizontal stripes and texture.

An explanation of the origins of the practice 

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A poetic reflection on counting the Omer
a field of golden wheat, a blue sky amd green trees in the distance
Including a meditation and the blessings
close up of a bunch of numbers

Omer calendar featuring a biblical woman each day who is associated with the mystical qualities of the respective day

A queen on a palanquin, carried by attendants, with a lotus and parasol, set against a river background.

Our foremothers’ lives, and our lives, as sacred texts

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